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Sanja Buterin intro photo

Introduction

A while back we published a post called “The 10 most Influential Active Street Photographers“ that was about the 10 Street Photographers that are still active and that influence the Street Photography world in one way or another. Some might inspire with their work, others with the expertise and others with their overall contribution. No matter how though, the important thing is that all the people listed in the post have something to offer to the Street Photography Community. Even though most of the comments we received were positive, we also had the odd troll here and there, one of the most common asked questions was why are there no ladies listed. At first we got this question asked on Social Media Networks and then our Readers asked us on our website. Well, the answer is that we never noticed until you told us. That means that during our research we didn’t choose to look only at the work of male Street Photographers, it just happens that male Street Photographers are more active. It is just something that is what it is. What I am trying to say is that we didn’t leave out the ladies deliberately. Those comments though sparked an interest in us. We searched the internet looking for a list of Lady Street Photographers but we couldn’t seem to find one. So, we thought that since we had been asked by our Readers to add more ladies in our “The 10 most Influential Active Street Photographers“, why not make a separate post with a list of Inspirational lady Street Photographers. So, we did our research and today StreetHunters.net presents you with “25 Inspirational Ladies of Street Photography”.

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The Red Studio Henri Matisse

Video

I have downloaded the short version of ‘Everybody Street’ onto my main computer.|It sits on my desktop and in the low moments where the doors of creativity are closing , I crank up my useless speakers and listen, listen and watch. I really do feel the force of the players in the short movie. Gilden, Boogie and that chappie who’s name I can never remember but says ‘ If…If I can’t do this, if it’s too much, then I’m in the wrong business’ and he loops his camera over his shoulder.

http://everybodystreet.com/

Music

I’m not a music fan, in fact 9.9/10ths of the time I work in complete silence except for the chatterings of my mind, which I can assure you aren’t musical in the slightest BUT because of the video above and it’s inspiring soundtrack I do now, should I need a stand up and get going tune listen to:

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9 1070

Introduction

Let’s have a little fun, shall we? With this post, I’d like to share with you my 7 personal good habits I practice when shooting on the street. These aren’t carved in stone, by any means and they’re definitely subject to change. But, I’ve found these to be the most popular ones I employ and usually the most helpful. So, let’s dive in…

1. Be Prepared

This is simple, but necessary. By being prepared, I mean be ready for any situation that might arise when out on a street hunt. First, I ALWAYS make sure I have an extra battery and that it’s fully charged like the one in the camera. The NEX-6 I use isn’t horrible as far as battery life, but when I’m out, it’s always on. Plus, I have the LCD cranked to its brightest for when I’m shooting from the hip, which I’ve been forced to do a lot of lately. That is a real juice-sucker! I’ve even purchased another battery just to be safe.

Also, you must be ready for the elements. Proper attire and an umbrella are things to have handy.

A different focal length lens is another thing to consider. Different shots may demand another lens. I like to stick to one focal length when hunting, but there’s times where I’ve regretted not having another lens with me. Specifically, a wider-angled one. I usually shoot with the 35 or the 50mm lenses, but I keep the svelte 16-50 powerzoom tucked in my little bag just in case.

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Street Hunt no6

Introduction

This Street Hunt has been shot during the Carnival Day which is considered by many as the most amazing, most crazy day in Rethymno, my home town. In the video I start in the late afternoon around 1 hour before sundown and continue an hour into the night, following the excitement all the way until the end of the Carnival at the grand bonfire and the fireworks. During the video you will notice that the streets are completely packed with people dressed in all sorts of costumes. I try to blend in and take some photos of everyone having fun but I also look for people that are out of place. I always find “out of place” individuals very interesting and if I can, I try and snap them.

In this video you will see lots of laughter, mini parties, joy, funny faces and crazy stuff! You will experience Intrusive Street Photography with a Flash see how amazing this style of Street is. I am not an expert in this style, I have only practised it a few times, but I really push myself this time, mostly because people during Carnival day are more loosened up and don’t mind having a flash stuck in their face and being photographed.

My Gear

In the video I use my APS-C Sony NEX-6 with various settings, depending on the situation but mostly Flash on, a narrow aperture and Manual Focusing with zone focusing. I have pre-focused at about 1m (3 feet) so everything from around 50cm to 2m is in focus mostly. I have added annotations in the video to make sure that I communicate those settings to you all. There is lots of noise and confusion, so I think the annotations will help. The lens I use is a 20mm f2.8, equivalent to 32mm full frame. Zone focusing works with this focal range better. Larger focal ranges are harder to zone focus.

So, stick around, sit down, relax, grab a piece of pizza or whatever makes you feel comfortable and enjoy this month’s paranoid Street Hunt!

Stay Sharp & Keep Shooting!

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1 1078
Marble Arch by Anton Fortein

NOTE: This is a Guest Blog post written by Anton Fortein for www.streethunters.net


It could be that deep down I’m a bit of a hipster, an old-school hipster. I’m certainly old enough (having been born before the moon landings) to remember a pre-digital time. A time before Windows NT 3.1 powered systems invaded the workspace, and commodore 64 consoles were a distant memory. And more importantly, I’m young enough not to be seen as an old fart who goes on and on about the ‘good old days’

It could be that I don’t earn enough money (or been given, won or saved enough) to afford a top of the range DSLR, or a mirrorless system camera. I do however have a few ‘old school’ mirrorless cameras… lovingly called rangefinders. Gone are the days of picking up a ‘like new’ YASHICA 35GT, but a few good deals on The Bay are still to be had.

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Planning a street photography project

This week’s blog post has a slightly different format. I have used the tool being explained to derive an actual project. I would like you readers to do the same. So reach for a piece of paper and pencil or open our shared spreadsheet and our handy document that contains everything you need when Planning a personal Photography project and lets head on in.

Planning a Personal Photography Project.

Make it personal

I’ve seen this header on a number of sites and never really tried to comprehend it. SO I begin at the beginning in trying to find out what is personal;

Who am I as defined by my actions

  • I have a daughter
  • I am an animator
  • I have worked in hospitality for 24yrs
  • I paint
  • I sculpt
  • I am an absent father
  • I lodge at a friends house
  • I enjoy red wine/burgers/smoking/coffee
  • I don’t drive although I can
  • I never listen to music
  • I’m single
  • I’m date-lexic ( this is a made up term which I use to excuse myself from never being able to remember birthdays, meetings and other anniversaries of time )

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Influential Street Photographers Updated

Update

After quite a few suggestions from you, the StreetHunters.net Readers, we added an extra section at the bottom of the post called “Influential Active Street Photographers recommended by our Readers”. Enjoy!


Introduction

During the past years Street Photography has become widely accepted as a form of art and expression. More and more people have learned to appreciate it and to understand how hard it is to get it right. The reason why Street Photography has become more mainstream is because of some influential few that have managed to spread the word about it through their style, their blogs, their videos and their constant sharing of their experiences. These few Street Photographers that share their ideas with the rest of the world, their methods and their passion for the art have transformed Street Photography into what it is today.

The StreetHunters.net team decided to make a list of those influencers as a way to say “thank you” for their contribution to the world of Street Photography. We understand that some of you dear StreetHunters.net Readers might not agree with some of the names being on this list. We also understand if you feel like it must be longer, or shorter. But, no matter what each and every one of us thinks, it is certain that every single Street Photographer presented here today, has helped re-shape Street Photography as we know it. So here goes:

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Street Hunt no5

Introduction

The Street Hunt that I will be guiding you through today is very interesting and unique in it’s own very special way. Why you might ask? Well, the Street Hunt No 5 has been shot during the night of Tsiknopempti. Ok, so what is Tsiknopempti and how to I pronounce that word? Ha! Well it is the one day the year that people of Greece celebrate by eating only grilled meat! So, on a typical night like this, the streets are packed with people, that are mostly drunk and stuffed with grilled food. In the air there is the smell of grilled chicken, grilled pork, souvlaki, sausages, you name it! Everyone is happy, everyone is excited and everyone is enjoying themselves! Laughter, parties, joy! All the things that let people loosen up and let a Street Photographer like me take their photos with ease. Some even ask to have their photos taken. It is just great!

But that isn’t the only thing that goes on during this night. Because Tsiknopempti is the last Thursday before the official Carnival day, people are already warming up for Carnival Sunday by walking in the streets dressed in funny costumes! Those costumes, add to the fun and excitement and help the people loosed up even more.

My Gear

In the video I use my APS-C Sony NEX-6 with various settings, depending on the situation. This time I have added annotations in the video to make sure that I communicate those settings to you all. Because of the night this is shot, there is noise and confusion, so I think the annotations help. The lens I use is a 35mm f1.8, equivalent to 50mm full frame. I love this lens because it is perfect for nearly any situation.

So, stick around, sit down, relax, grab a bowl of pop corn, or whatever makes you feel comfortable and enjoy this month’s crazy Street Hunt!

Stay Sharp & Keep Shooting!

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9 844
Andrew Sweigart - Street Hunter

Introduction

“Imitation is the sincerest form of flattery.” A very true statement. Imagine, sometime copying your style of photography! How great would that be? You’re a hero, an idol, a GOD behind the lens! But there’s something else even more powerful than being imitated. That’s the power to INSPIRE. Lighting someone’s fire to create, that’s where it’s at. That’s the best flattery of them all! But let me explain why I feel it’s important to us, as photographers, to not copy or imitate someone’s style, but to be our own animal. Our own creature that evolves constantly and maybe inspires someone else to create their own art.

Motion blur intro

Introduction

A street photo can have a lovely sharp look, where everything is in focus and frozen in time, but is can also be an imperfect image, a shaky photo that is made in such a way though that radiates dynamism and motion. Most of us just set our camera’s to A or P mode and let the camera do all the shutter speed calculations. Unless the lighting is bad, this will usually get us some pretty sharp images. There are other times when we like setting our camera to S mode and adjusting our shutter speed the maximum possible speed, so everything is perfectly frozen at the click of our shutter button. I do all the above 95% of the times I am out shooting, because I feel that if my photographs are crisp, they are somehow better. Most of the times, this is true, but there are times when I do not do anything of the above and I decide to have some fun with my camera in S or M mode by setting my shutter to slower speeds. By doing this, I can become creative with blur, motion blur!

Types of Motion Blur in Street Photography

I can think of 3 types of Motion blur in Street Photography. I am not referring to blur in general, but specifically Motion blur. In this post we will not talk about lens blur or zoom blur. Those are other techniques that don’t produce a sense of speed. Ok, maybe zoom blur does, but not in the way we want, because in zoom blur it is the focal length that changes, not the subjects in the photo or the position of the camera. We will discuss only blur types that can help give your photos movement.

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