To say I’m a fan of Garry Winogrand is putting it mildly. In my opinion, I believe his name is the one most synonymous with street photography. Not to diminish the exemplary work of all the other great street photographers, but damn it, Garry Winogrand was street.
That being said, “Garry Winogrand”(Yale University/ San Francisco Museum Of Modern Art, 2013) is a long look at one of the greatest photographers of the twentieth century. And by long, I mean long. This beast of a book arrived at my doorstep weighing over six pounds and containing 448 pages. For a Winogrand fan it’s a must. For someone unfamiliar with him or street photography, it’s an excellent introduction to the genre and one if it’s pillars.
About Garry Winogrand
Garry Winogrand(1928-1984) was one of, if not the most prolific street photographers ever. He left behind over 35,000 prints, 22,000 contact sheets and over 40,000 color transparencies. He also left over 6,000 rolls of unprocessed film. Consider that for a few seconds. That’s an incredible amount of images. Now imagine going through that archive and the unprocessed rolls and putting on an exhibition. “Garry Winogrand”, in all it’s majesty, is the retrospective catalog accompanying the expansive exhibition that debuted at the San Francisco Museum Of Modern Art in 2013. It also made stops in Washington, DC, New York City, and just wrapped up at Galerie nationale du Jeu de Paume in Paris.