Authors Posts by Digby Fullam

Digby Fullam

Digby Fullam is a photographer with a passion for photojournalism and narrative documentary photography. He finds street photography to be an excellent storytelling medium. He is the newest addition of the team. If you would like to see his work you can also visit his Street Hunters Profile.

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What is Street Photography?


Uh oh. Deep breath. I’m sticking my neck out and putting my head on the proverbial block as I’m going to attempt the impossible and try and define street photography. So strap yourselves in, this is sure to be a bumpy ride.

I’m going to start with the mother of all kop outs though – art is subjective. It is totally and utterly subjective. One artist’s creation will be viewed as a work of unparalleled genius by some, while others will see it as mediocre, average, or just plain boring. Or maybe it won’t even stir any emotion at all in them. I remember giving a presentation at high school where I had to pick my favourite work of art and my least favourite. I chose a Ralph Goings photorealistic painting as my favourite, and an Anselm Kiefer creation as my least favourite. My art teacher and many of my classmates were appalled – I’d committed heresy! Equally Edward Hopper’s paintings used to bore me – now I look at Nighthawks and I almost want to weep because it exudes such a power over me. What I’m trying to say is that art is so fluid and dynamic that applying definitive, absolute labels to it, or pigeonholing it into ‘genres’ is not really feasible, and in a few years our opinions about it might change anyway. But I shall give it a go.

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Talking Movies


Talking Movies returns for another week, and with this instalment I will be examining the hugely praised Brazilian movie ‘City of God’. The Talking Movies series shows you how you can get more out of your street photography by studying movies and learning from the composition and lighting effects movie-makers use to make visually arresting art. As usual, I’ll choose three scenes from the movie to look at, and then I’ll show three of my own street photographs to highlight the similarities with the movie and illustrate how cinema has influenced my photography. I’ll also point out differences between my shots and the movie stils, to emphasise how I’m yet to be able to put all the ideas from the movie into practice! Previous instalments of this series can be found on the Talking Movies section of the website.

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The enthusiam of a group of boys in front of a camera, in Laos

At Street Hunters, we love it when people get in touch with us to tell us about projects they’re working on – there’s a world of readers and photographers out there and it’s impossible for us to keep our ears to the ground for everything!

Last week we had an email from a fan in Brazil called Felipe Sant’Ana Pereira, who had a really amazing and inspirational story to share with us. It was so interesting that we wanted to share the story on the site, so here goes!

Street Hunters weekly photo by Digby Fullam

I shot this photo in Matala, on the south coast of Crete, with a Canon 6D and a Canon 16-35mm f/2.8 L lens.

Matala is well known as the ‘hippie’ capital of Crete, a reputation it gained during the 1960s and 70s when hippies from all over the world saw the small seaside village as ‘a place to escape from it all’ and spent many months (or even years) living in the ancient caves carved into the cliff face above the beach. One erstwhile resident of these caves was Joni Mitchell, who’s song ‘Carey’ from her seminal album ‘Blue’ was written about her experiences in Matala in 1970, well and truly cementing Matala’s place in counterculture folklore. To this day, Matala continues to trade on its reputation as a hippie mecca, with tourists flocking to the colourful (and expensive for Crete) tavernas to soak up the chilled out atmosphere and admire the beautiful sunsets. They can even trek up to the famous caves, though only if they’re willing to pay an entrance fee to bypass the wire fence that ironically ‘secures’ these symbols of free living from the outside world.

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Talking Movies


Critically acclaimed motion picture No Country for Old Men is the focus of this week’s instalment of Talking Movies – a guide for how to use cinema to get the best out of your street photography. I have chosen 3 of my favourite scenes from the movie to analyse, and I will explain exactly what it is that I think makes them powerful pieces of imagery. I will then show a selection of my own images and explain how the movie’s style influenced my street photography. Check out the Talking Movies section of the blog for the previous articles.

Introducing No Country for Old Men

No Country for Old Men (2007) was adapted from prize-winning author Cormac McCarthy’s 2005 novel by the celebrated directors Joel and Ethan Coen, who also directed the movie. It centres on the discovery of a suitcase full of money by Llewelyn Moss (Josh Brolin) who stumbles across drug deal gone wrong in the wilds of 1980 rural Texas. After taking the money for himself, Moss is pursued by the bloodthirsty psychopath Anton Chigurh (Javier Bardem), who ruthlessly dispatches his victims with aplomb. Following this trail of carnage is local sheriff Ed Tom Bell, played by Tommy Lee Jones. No Country for Old Men was awarded four Oscars, including the much-coveted ‘Motion Picture of the Year’ and ‘Best Director’ gongs, as well as two Golden Globes and two BAFTA wins. Director of Photography Roger Deakins’ was acknowledged with a BAFTA for ‘Best Cinematography’ for his brooding and low-key depiction of the scorched earth of southern Texas and early 1980s Americana.

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The Canon 6D for Street Photography


At Street Hunters we like to review gear for our readers so you can get an idea of how gear performs and if it might work well for you and your style of photography. In this review I will analyse my own Canon EOS 6D, to tell you my experiences with using this camera. Being a DSLR camera, the 6D isn’t a type of camera most well known for street photography. However, DSLRs are incredibly versatile cameras and many people may have bought them for a wide variety of uses, and will want to apply them to street photography. Equally some photographers will be using them to photograph for their business (perhaps weddings, or sports), and then also using the same camera to pursue street photography as their hobby. For some reasons as to why a DSLR is good for street photography, check out Rob Heron’s Guide to Using A DSLR for Street Photography.

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Talking Movies -


This week’s Talking Movies will be looking at the cinematic masterpiece that is Blade Runner, and will talk you through how you can analyse some of the scenes in this movie and use them to help you compose some stunning street photos. I will look at some of my own photos and describe how this movie influenced my own shots. Visit the previous segments of Talking Movies for more info.

Introducing Blade Runner

This Ridley Scott helmed gem is quite possibly my favourite movie of all time. Released in 1982, Blade Runner is a sci-fi movie of truly epic proportions that muses on the grandiose theme of what it means to be human. Based on the 1968 novel ‘Do Androids Dream Of Electric Sheep?’ by legendary science fiction author Philip K. Dick, Blade Runner is about quasi-detective Rick Deckard (Harrison Ford) hunting for a gang of escaped artificial humans called Replicants, and is set against the moody, dingy, rain-drenched backdrop of a post-apocalyptic Los Angeles. The doleful Vangelis soundtrack makes for melancholy tone to the movie, while the spectacular special effects and production design are perfectly showcased by Jordan Cronenweth’s excellent cinematography, and play just as much as a part of the telling of the movie’s story as the characters themselves. Blade Runner suffered a complex and fraught production for numerous reasons, not helped by director Ridley Scott’s manic attention to minute details in each scene and shot. This obsessive approach paid dividends in the end, while the movie was not a critical or box office success, it is now widely lauded as one of the most iconic movies of its genre, with a die-hard following of devoted fans.

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"Guaranteed Freshness" by Andrew Sweigart


Good news has arrived via the American Society of Media Photographers (ASMP) – at the 11th hour Arkansas Governor Asa Hutchinson vetoed a highly controversial bill introduced by the Arkansas Senate which would have all but banned street photography which featured any resident of Arkansas.

About SB79

The Personal Rights Protection Act (SB79) sought to “Protect… the citizens of [Arkansas]… from exploitation” by effectively prohibiting the publication of any image of a resident of Arkansas taken without their permission. The bill was originally designed to stop the use of a citizen’s image being used to sell merchandise like t-shirts, but was so badly worded that it constituted an attack on the art form of street photography, opening street photographers up to potential lawsuits in the state of Arkansas. Full details of the issues in SB79 can be found in our previous article.

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"American Girl" by Andrew Sweigart


The 23 year old Bruce Springsteen sang a song about a girl named Mary from Arkansas when he was auditioning for his first record deal in 1973. The rest, as they say, is history…. But had he taken a street photo of Mary, Queen of Arkansas in the present day the story could have been a little different.

The Arkansas Senate has recently passed bill SB79, the ‘Personal Rights Protection Act’ and its implications for photographers taking photos of any resident of Arkansas are hugely ominous. The bill can be seen to be banning the publishing of street photography there outright.

Weekly Photo by Digby Fullam -

Shot with a Tamron 24-70 2.8 on a Canon 6D.

I have very strong memories of shooting this photo. It was the first Monday in March and the weather was glorious – the first really nice sunny and warm day of the year after a surprisingly long cold and wet winter in Rethymno. I was also in a particularly buoyant mood as the day before my football team Norwich City had triumphed over their bitter local rivals Ipswich Town that lifted them to the 3rd position in the Championship and a step closer to returning to the Premier League.